Showing posts with label Josh's listening. Show all posts
Showing posts with label Josh's listening. Show all posts

Saturday, September 22, 2012

...Herizon Recordings...

   My adolescent years were lived in the era of the mix tape.  Granted, the cassette tape was in its twilight years, and most record stores had transitioned to just selling compact discs, but CD  burners were not prevalent yet, and most CD stereos were manufactured with a cassette deck built in (and who in the world had ever heard of an MP3).    So, if you wanted to record music or make a mix of songs to listen to, you did it via a cassette tape.
   Tapes were my first love.  They felt so versatile to me- like I was in control.  All I had to do was press the record and play buttons together and I was guaranteed to have something recorded to my tape.  Plus, they were so durable.  You could slip one into your back pocket and go about your day without having the slightest concern that it would get scratched or broken.  Sure, over long periods of time the music on the tape faded gently, but I loved that- especially when it came to the mix tapes that I compiled.  It was like the songs had married themselves together and were going through time together....becoming part of each other.  And this "fade" gave a sort of vintage to the music- a sense of nostalgia.  Kind of like the way you appreciate a photograph more after its sat in your desk drawer
for the past ten years- the edges slightly yellow-ed and the colors faded.  In fact, I purchased a car last year, and I was very excited to discover that instead of a CD player, it had a cassette player on board.  I broke out all my saved tapes and had such a good time listening to old mixes that friends had given me.  Alas, that fun came to an end when one of them became trapped in the player, but it was great while it lasted.
   I learned to love music, because of tapes.  Cassette decks had an inconvenience about them that turned out to be a blessing in disguise- they did not have a "skip track" button.  Of course, they had a fast forward button, but often times it was too much work to search for the end of one song and find the beginning of the next tune.  Because of this, I tolerated many songs that on first listen I did not enjoy....songs and albums that became some of my favorites to this day.  

   So, what's all this tape talk about?  Well, you might remember a post that I put up back in the spring, about Tim Condon, who performs music under the title of "Herizon". I'm excited to report that The Harding Street Assembly Lab has put out a cassette of  Herizon recordings called, Gave Up The Ghost.  Here's what HSAL has to say about the tape:

  Herizon has assembled songs from previous releases ("chesapeake bay", "cave drums"), reworked tunes ("home again", featuring virgineola), & as of yet unreleased pieces ("tied to me", "still believing"). This limited edition cassette (100 copies!) will serve as a pre-cursor to the upcoming Herizon LP, which is being recorded through the Harding Street Assembly Lab with the help of several HSAL affiliated musicians.

The tape comes with a free digital download in just about any format you could want.  You can give the tape a preview over on bandcamp They're a mere 5 bucks, so pick one up.  Only 100 were made, and they'll be sold at shows also, so they are going sell out fast.  Get one while you can.  You can purchase one by emailing Tim at ohnewengland@gmail.com, or by heading over to the HSAL bandcamp page.  These pensive, lo-fi, folk, songs are perfect for the oncoming Fall.  So, fall in love with tapes & fall in love with Herizon!!!!

Tuesday, September 11, 2012

...Faruq Z. Bey & the Northwoods Improvisers...

Faruq Z. Bey and the Northwoods Improvisers are a jazz group that I came across a year or so ago, and keep coming back to every now and then when the jazz bug bites me.  I've intended to put a mix together compiling this sort of stuff, but I haven't been able to get around to it.  Unfortunately, this past week, as I was revisiting some of his tunes, I discovered that Faruq actually passed away back in June.  So here, are a couple of tracks in memory of him and his great work.  You can also refer to the avant-garde jazz group, Griot Galaxy, to experience some of his earlier work from the 70's and 80's. Hopefully in the near future I'll finally be able to wrap up that mix that I've had in the works.  RIP Faruq Z. Bey.

Thursday, April 12, 2012

...Muddy Waters- Folk Singer...

This is an album that I've been listening to pretty consistently for the past month or so. Apparently, in 1964, in order to cater to the folk crowd, Muddy was asked to lay down his electric guitar and play some stripped-down delta blues. The result was this album. What really blows my mind is its recording quality. It's amazing to me how much raw emotion can be conducted through such restrained songs -especially on the first few tracks. Give the first cut on the album a try below. This was put out on Chess Records and featured Willie Dixon on bass, Buddy Guy on acoustic guitar, and Clifton James on Drums.


Muddy Waters: My Home Is In The Delta

Sunday, April 1, 2012

...A Mix of BlackForrestry: Spring 2012...

Here's a mix that I've been planning to post for quite some time, but until now, haven't had a chance to. This group of songs reflects a few of the artists that I had in pretty heavy rotation back in the fall. Even though it's spring now, I think that the songs still work. I put this mix together 5 or 6 months ago to share these artists with my wife and children. I hope you enjoy it as much as we have. Mediafire link in the comments.

"A Mix of BlackForrestry: Spring 2012: single track"

01 Generifus- In My Cave
02 Vollmar- Beside the Sea From You and Me
03 Seth Olinsky- It's So Hard
04 Homecomings- By Faith
05 Little Wings- Hey Baby
06 Bronze Float- Walking To The Store
07 Thanksgiving- Track 3
08 Iji- Funny How Love Can Be
09 Bronze Float- This American Negative Pulse
10 Homecomings- Ask
11 Normanoak- Even The Golden Child
12 A John Henry Memorial- So You May See
13 German Error Message- Reaching Out
14 Generifus- Waiting
15 Vollmar- The Soft Hills
16 The Microphones- Heart Lake Rd.
17 Porches.-Peach Pit
18 Wind-Up Bird- Driving Around
19 Normanoak- Princess Unicornus
20 Little Wings- Little Bird
21 The Microphones- Antlers
22 A John Henry Memorial- A Family Album
23 Wind-Up Bird- Parasite
24 Ben and Bruno- Take Hold Upon
25 Porches.- Tall Boys

Wednesday, March 28, 2012

//DAMIEN//JURADO//MARAQOPA//

thought it would be criminal not to raise a flag of praise for damien jurado's latest lp. josh & i have had maraqopa spinning on our players & in our heads since its release & it's really ringing our bells. we are both in agreement that this is his best material to date. it has genuinely stimulated great, sprawling discussion between us. you know you have something good when all aspects of the content generate conversations of length & real worth. if you haven't already, grab a copy & listen close! d


Friday, March 23, 2012

...Hand In Hand/Neokarma Jooklo Experience...

I came across this song, "No Goal Can Be Too High", by Hand In Hand, a few months ago over at Microphone In The Trees. I snagged it because I noticed that David Nuss from No Neck Blues Band is a contributor to the group. I've enjoyed NNCK's recordings over the years, so I thought that I'd give it a shot. While somewhat similar in style to a NNCK track, this song differentiates itself with a very prominant vocal recitation of a passage from the biblical Book of Isaiah...pretty "out there" sort of stuff. Apparently the song appeared on one side of a, now out of print, 7" 45 hand cut lathe. Only 32 of the records were produced via Medusa Records. It's definitely not something I could listen to daily, but I find it interesting nonetheless. Check it out, even if for oddities sake.


"Hand In Hand: No Goal Can Be Too High"

This song is the B side from a record entitled "Peaceful Messages" by the band Neokarma Jooklo Experience. It was put out on Qbico records. It's a pretty cosmic tune, so I hope you can get your head around it.


"Neokarma Jooklo Experience: Holy Freedom"

Thursday, March 22, 2012

...Other Dimensions In Music...

Ever since Doug posted his Outside Beat: A Mixtape, I've been on a little bit of a jazz kick. Among other things, I've been giving Live At The Sunset by Other Dimensions In Music quite a bit of ear.

This album came out in 2007 and features Roy Campbell on trumpet; Daniel Carter on sax/flute/trumpet; William Parker on Bass; and Hamid Drake on percussion/drums. I have enjoyed the collaborations of Parker, Carter, and Drake in the past, and respect them as some of the best free jazz musicians recording/performing today. This album only reinforces my sentiment. Check out the two tracks below and don't snooze on what's going down in free jazz today.

"Other Dimensions In Music: Hip Bop"

"Other Dimensions In Music: Slam Me Down (for Slam Stewart)"

Tuesday, January 10, 2012

...A Mix of BlackForrestry: End of Summer 2011...

I had plans to post this mix much earlier than this, but I just didn't have the steam to do it. I received the motivation I needed by watching the Richard Hugo video that Doug posted (see previous post). A flood of images and feelings swamped my mind as I watched it...images like the ones from the documentary Harlan County USA (a film that Doug turned me on to...if you haven't figured it out, Mr. Cooper is a constant source of inspiring ideas), and the same emotions that fill me when I hear the music of Blaze Foley. Anyway, it's these same sort of thoughts that birthed this mix. A lot of these songs also put me in that same head space...some more than others. Regardless of the effect that they have on me, hopefully they will have an enjoyable one on you.

01 The Band- Crossing The Great Divide 2:01
02 Buffalo Springfield- Kind Woman 4:08
03 Steve Young- That's How Strong My Love Is 3:34
04 Freddie Scott- I Shall Be Released 2:39
05 Bodies Of Water- Open Rhythms 4:15
06 Damien Jurado- Cloudy Shoes 3:58
07 Holy Sons- Reckless Liberation 3:58
08 Arian Calandra- Track 10 4:25
09 Bart Davenport- A Young One 3:06
10 Jim Sullivan- Highways 2:39
11 Delaney And Bonnie- We Can Love 2:18
12 Ron Cornelius- I've Lost My Faith In Everything But You 3:17
13 Tony Joe White- Aspen Colorado 2:39
14 Jonathan Wilson- Gentle Spirit 5:42
15 Bonnie Prince Billy- New Wonder 4:06
16 Blaze Foley- Picture Cards Can't Picture You 4:00
17 The Bees- Sky Holds The Sun 1:00
18 Cotton Jones- I Don't Suppose 3:04
19 Justin Stens and The Get Real Gang- Lonely Lonely Night 4:22
20 Conspiracy Of Owls- A Silver Song 3:59
21 Seth Kauffman- Absolute Sway 3:30
22 Joel Alme- You Will Only Get It Once 1:53
*mediafire link in the comments

Friday, September 30, 2011

...Damien Jurado: Saint Bartlett...


This album came out back in May of 2010 and somehow, I missed it. I guess it's a case of better late than never. This album has so many great songs on it, many of which stay in the vein of Jurado and Richard Swift's collaborative collection of cover songs that they put up for free last year, entitled "Other People's Songs Volume 1". In fact, Swift is on board with this album as well, adding backing vocals and instrumentation. This is Damien at his "sunniest", if you could call it that. Check out the live version of "Cloudy Shoes" below. This record would have definitely been my favorite of last year if I hadn't slept on it. I hope that this is a foreshadow of things to come. Enjoy.

Saturday, May 21, 2011

...Mix Worthy Songs...

I really enjoy making music mixes, but as of late, I have been too busy to. This may clue you into why I've been posting so much about artists that I've been listening to as opposed to putting up my own artwork . As I listen to albums, I'm constantly coming across songs that make me think, "This would sound great on a mix". Here are a few of those kind of songs.

"Donovan: Get Thy Bearings"
This song is off Donovan's Hurdy Gurdy album. I picked this record up at a library booksale a couple of weeks back, and this song really stood out to me.

"Led Zepplin: Bron y aur Stomp"
I'm impressed with how this song sounds separated from the rest of its album. This track is from Led Zepplin III, of course, but I have a new found appreciation for it thanks to a fashion show video that used this song as part of its music selection. I found the video after checking out some Turquoise Wisdom mixes and then peeping Rodarte, a fashion design group that TW often collaborates with. This song has new life to me.

"Pink Floyd: Fearless"
This song was also in the Rodarte fashion show video. You don't hear Pink Floyd stuff
like this that often. In fact, this is really the only song on their Meddle album that sounds anything like this. Really nice tune.

...A Few New...

These are a few songs/albums that I've been groovin on lately.

(((((((((((The Peoples Temple))))))))))))
))))))))))))))))))))))))(((((((((((((((((((((

I just found out about these guys through Insound's mp3 of the day. This album, "Sons of Stone", is full of great sounds. There's stuff that ranges from sounding like the Rolling Stones to early psychedelic garage, all with a lo-fi feel reminiscent of Ty Segall. Just some good tunes to jam out to. I love this stuff!!!!




"The Peoples Temple: Where You Gonna Go"


((((((((((((((Luke Roberts))))))))))))))))
)))))))))))))))))))(((((((((((((((((((((

This album came out in April of 2010, but somehow I missed it until just the other day when I was browsing around Thurston Moore's Ecstatic Peace Records + Tapes. I really like the sound that Mr. Roberts has on this album- nice and laid back. Give it an ear and check out the video for another one of his songs, below.



"Luke Roberts: Somewhere To Run"

"Luke Roberts: Unspotted Clothes"

(((((((((((((((My Morning Jacket))))))))))))))))))
))))))))))))))))))))))))))((((((((((((((((((((((((((((

It's been a long time since My Morning Jacket has put out something that I've been interested in hearing, but after reading a few reviews of their forthcoming album, Circuital, and after hearing the two songs below, there may be hope for them yet. I enjoy the mellow sound of these tunes, but I have also heard some other numbers from this album which have not impressed me quite as much. Either way, check out the tracks and make your own decision, and then listen to the whole album when it comes out on the 31st.

"My Morning Jacket: Movin Away"

"My Morning Jacket: Wonderful (The Way I Feel)"

Friday, May 20, 2011

...Malvina Reynolds/ Connie Converse...

For one reason or another, springtime always injects me with a craving for whimsical and melancholy, vintage folk songs. In fact, even though I'm beginning to despise the rain, one of my most enjoyable times this season was last week when I put on some records, laid on the living room floor with my children, stared out the large window, and watched the rain drip off the eaves and the verdant green leaves. It felt pretty magical. So, quite a bit of my listening time has been consumed with music by Vashti Bunyan, Sibylle Baier, Marianne Faithfull, Nico, and others.




Two other artists that I have been listening to are Malvina Reynolds and Connie Converse.
Let's first start with a double dose of Malvina.


"Malvina Reynolds: The Worlds Gone Beautiful"
I recently picked up this self titled record over at Angry Mom Records. The album was recorded in 1970, when Reynolds was 70 years of age. The thing that caught my eye was that the Byrds and the Dillards (as well as others) make up her backing band. Anytime members of the Byrds and the Dillards got together, magic was made (reference the Dillard and Clark post over at Aquarium Drunkard). This album is not my favorite of hers, but it definitely has some shining moments on it. Simple and sometimes childish, the record is redeemed by the backing band.






"Malvina Reynolds: Singing Jesus"
"Malvina Reynolds: God Bless The Grass"
This is an earlier record of hers, and my favorite. Recorded in 1967, "Malvina Reynolds Sings The Truth" has one of the songwriter's most recognized compositions on it- "Little Boxes". These are still some simple, yet beautiful, songs focusing on Reynolds' activist views and they remain a little more "bare-bones" than her later recordings.






Next up, is Connie Converse.

"Connie Converse: Talkin Like You (Two Tall Mountains)"
"Connie Converse: How Sad, How Lovely"
Connie Converse's record "How Sad, How Lovely" is actually comprised of recordings that she taped in the kitchen of recording engineer Gene Deitch back in the mid 50s. It's very interesting stuff. What is even more curious is her intentional disappearance in 1974. After writing letters to her friends and family of a desire to anonymously have a new start, Elizabeth Eaton "Connie" Converse packed up her VW Beetle and disappeared forever. If this mysterious story intrigues you, then you should definitely listen to this radio program that WNYC out of New York put together. Very interesting listen with some commentary from family and various recordings of Connie.

Wednesday, May 18, 2011

...Terry Callier/ Bill Withers...

This post is to piggy back on Doug's Michael Kiwanuka post. While checking out write ups on Kiwanuka's sound, I kept coming across references to a similarities between him and Terry Callier, as well as Bill Withers comparisons. While I don't see perfectly reflective similarities between these artists, I do feel that their over all feel has some common threads. Either way, the organic soulfulness of these artists is a real breath of fresh air. I've been trying to find a good time to post some Callier and Withers, so this provided the perfect opportunity. I hope these tunes help float you along through rainy spring days.



"Terry Callier: Promenade In Green"

"Terry Callier: It's About Time"




"Bill Withers: Hope She'll Be Happier"

"Bill Withers: In My Heart"








"Bill Withers: Let Me In Your Life"

Saturday, April 30, 2011

...Vintage Coverage...

I haven't had much time to be on here lately, so I thought that I would throw this up....a few more cover songs- vintage style.

==============================================
"The Flying Burrito Brothers: Wild Horses (The Rolling Stones)"
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"Wendell Stuart & The Downbeaters: Jude (The Beatles)"
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Hopefully, this next one wasn't ruined for you by the Rod Stewart version. It's a good song. Try to give it a second chance.

"Marianne Faithfull: Reason To Believe (Tim Hardin)"
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If the Rod "aftertaste" was a little too much for ya, I totally understand. So, to make sure this post ends with your ears happy, I'll leave you with a song that's likely to please. It's another cover by Marianne Faithfull (lately, I've been listening to her a ton). This song is by John D. Loudermilk, who was cousin to Ira and Charlie Loudermilk AKA The Louvin Brothers. Hope you like it.

"Marianne Faithfull: Little Bird (John D. Loudermilk)"
==============================================

Friday, April 15, 2011

...The Bony King Of Nowhere...


When I first came across this guy, I thought, "What's up with the name?". "Bony" seemed a little close to "Bonnie", especially when it's combined with a royal title. Have no fear, though, I'm pretty sure that this Belgian singer has no intention of ripping off Prince Willy. Then, I found out (thanks Doug) that on Radiohead's Hail To The Thief album, the song There, There is subtitled Boney King Of Nowhere. So, I'm scratching my head again, wondering what's going on here, especially with the high probability of Radiohead comparisons. Regardless, here ya go......

So, I remember the first time that I heard Coldplay's Parachutes album. It had just come out and I had no idea what they would sound like. Actually, I wasn't super fond of their name either. My friend, Matt, introduced them to me as, "sounding a little bit like Radiohead". At first, this comparison didn't seem too far fetched, but after multiple listens, the similarities faded and the sound defined itself into something completely separate. In turn, since that album, Coldplay has continued to morph into something extremely different from either point of reference.
I bring up Coldplay for two reasons.....First of all, this album by The Bony King Of Nowhere has a "Coldplay/Thom Yorke through a Fleet Foxes lens" sort of feel. Secondly, like Chris Martin and the gang, I didn't know what to expect when I first heard them, but their sound has steadily grown on me with each listen, and yet, I can imagine that given time, they may transform into something completely different than what they are right now- something that I'm not sure I'm going to like.

But, no matter what they become tomorrow, here we are today, and I'm a sucker for a good melody (and this album is saturated with them), so I thought that I would send it along your way. You are welcome to let me know what you think.



"The Bony King Of Nowhere: Sleeping Miners"

"The Bony King Of Nowhere: Some Are Fearful"

Saturday, April 9, 2011

...Alexander & Covay...

Here's a double dose. For years there has been the debate...Beatles vs. Stones. Well, this post does not involve the Beatles or the Stones, but, rather, artists that influenced them. Two artists, in fact, that you may not be familiar with.
First of all, there is Arthur Alexander. Alexander was a singer whose country-twinged R&B tunes sometimes get mistaken as other musicians' compositions. His slightly dusty songs were inspirational to many more familiar artists including the Beatles. In fact the Fab Four covered his song Anna (Go To Him), as well as doing live recordings of Soldier Of Love. This latter song was even performed by Pearl Jam. Mr. Alexander is the only artist to be covered by the Beatles, Rolling Stones, and Bob Dylan (Dylan did a version of his song, Sally Sue Brown). In spite of all his influence, it was just recently that I became aware of his great music. Check it out. "Arthur Alexander: Love's Where Life Begins" "Arthur Alexander: I Need You, Baby"
Next, is Don Covay. In the battle of Beatles vs. Stones, Jagger and crew win it- hands down (in my opinion)....especially their early stuff. It's the pursuit of finding artists with an early Stone's sound that caused me to come across Don Covay. I had searched through Yardbird recordings, listened to Muddy Waters, come across a Thane Russall and the Three single (that was pretty close). I absorbed a lot of Bo Diddley (who I love- but other than his guitar playing, is not too similar). I even fell in love with current bands like The Dutchess & The Duke who have strains of that early snarly R&B sound woven into their tunes. Well, I'm not sure why it took me so long to find him, but enter Mr. Don Covay. I actually heard his House of Blue Lights album, first (more on that in a later post). That album has a good, but different sound. As I dug back through his earlier recordings, I was surprised to find how Stones-y he sounded. The truth is, he doesn't sound like the Rolling Stones, they sound like him. In fact, they covered his song Have Mercy. Other bands, including Steppenwolf, Wilson Pickett, and Small Faces covered his compositions. Covay's and the Rolling Stones' sound is most synonymous on his album Mercy!. You can hear how Mick even styled his vocals after Don. Why hadn't he come up as a result for my searches for artists that sound like the Rolling Stones before this? Hmmmm...good question. Anyway, another little tidbit is, that rumor has it that Jimi Hendrix played as part of his backing band, The Goodtimers, on this album. I still can't believe that I'm just hearing about this guy. What's some other stuff like this that I've been missing out on? Let me know. Enjoy these....some of the originals. "Don Covay: Take This Hurt Off Me" "Don Covay: Daddy Loves Baby"

Friday, April 8, 2011

...The Politicians: Psycha-Soula-Funkadelic...

While searching around for psychedelic soul albums, I came across this. It's a little more funky than what I was looking for, but great nonetheless. You might recognize the title track, because the Go Team used a cut from it on the track "Grip Like A Vice" from their Proof Of Youth album. I hope these instrumental jams will put a dip in your hip and help get you through the day.

"The Politicians: Psycha-Soula-Funkadelic"

"The Politicians: Politicians Theme"

Thursday, April 7, 2011

...Dorothy Ashby: Afro-Harping...


Here's an album that I've had for a couple of years, and for the life of me, I can't figure out why I haven't put something up about it sooner. I mean, it's not the most elusive album since it was re-issued back in 2003. In fact, some of the songs may sound vaguely familiar to you, because many hip hop artists and DJs have sampled tracks from it. Maybe it popped into my head to post something on this because I've been on a jazz kick lately...I don't know.
Whatever the reason is, check this out. If you know anything about me and my taste in jazz, then you know that I really enjoy the stylings of Alice Coltrane. It was through searching for artists like Ms. Coltrane that I came across this album, originally released back in 1968. While there aren't a ton of similarities between Dorothy and Alice (other than that they both play jazz on the harp), one likeness that they share is that they both use the instrument in progressive ways. Whereas Alice works the instrument into spiritually rich, odes to the eastern hemisphere, Dorothy infuses funk and soul into her playing and uses the harp as a lead and solo instrument. Pretty unique stuff. There are some really good grooves here. I prefer this album over her later recordings, where Ms. Ashby ventures into areas of spoken word and vocal jazz. Press play and get mellow.


"Dorothy Ashby: Soul Vibrations"

"Dorothy Ashby: Afro-Harping"

Wednesday, April 6, 2011

...Mal Waldron: The Quest...


Ever since Doug posted a track from Mal Waldron in an earlier post, I've been checking more of his stuff out. You can imagine how pleased I was to find this 1961 album, featuring Eric Dolphy (one of my favorite jazz musicians) on alto sax and bass clarinet, as well as my favorite bass/cello player, Ron Carter, adding some unique sounds on his cello. Although this album is not as "free" as I normally like, there are definitely some unique ideas within the more straight-ahead, melodic, song structure making it enjoyable. The tracks below exemplify two of the more moody ballads on the record. They're pretty catchy and dripping with sentiment. This album was later re-issued under Dolphy's name. The original artwork is shown below, and the cover above is from the re-issue.

"Mal Waldron: Warm Canto"

"Mal Waldron: Duquility"